Emily Polson I love memoirs and essays, so the genre of essay-length short memoirs is one of my favorite. The length allows me to read broadly on a whim with minimal commitment. In roughly 5—30 minutes, I can consume a complete morsel of literature, which always leaves me happier than the same amount of time spent scrolling through my various social news feeds.
A site dedicated to Charlotte Perkins Gilmanprominent American short story and non-fiction writer, novelist, commercial artist, lecturer and feminist social reformer, and her life, her works, and her contemporaries. When the story first came out, in the New England Magazine abouta Boston physician made protest in The Transcript.
Such a story ought not to be written, he said; it was enough to drive anyone mad to read it. Another physician, in Kansas I think, wrote to say that it was the best description of incipient insanity he had ever seen, and--begging my pardon--had I been there?
Now the story of the story is this: For many years I suffered from a severe and continuous nervous breakdown tending to melancholia--and beyond. During about the third year of this trouble I went, in devout faith and some faint stir of hope, to a noted specialist in nervous diseases, the best known in the country.
This was in I went home and obeyed those directions for some three months, and came so near the borderline of utter mental ruin that I could see over. Being naturally moved to rejoicing by this narrow escape, I wrote "The Yellow Wallpaper," with its embellishments and additions, to carry out the ideal I never had hallucinations or objections to my mural decorations and sent a copy to the physician who so nearly drove me mad.
He never acknowledged it. The little book is valued by alienists and as a good specimen of one kind of literature. It has, to my knowledge, saved one woman from a similar fate--so terrifying her family that they let her out into normal activity and she recovered.
But the best result is this. Many years later I was told that the great specialist had admitted to friends of his that he had altered his treatment of neurasthenia since reading The Yellow Wallpaper. It was not intended to drive people crazy, but to save people from being driven crazy, and it worked.
The Forerunner, October Posted by Jennifer at.Mar 03, · A video presentation analyzing the short story "Touching Bottom", by Kari Strutt, from a feminist perspective. Through the use of symbolism, imagery, and characterization, Strutt outlines the. Sylvia Plath Watched Us Sleep, But We Don’t Mind was the third prize winner in our Short Story Competition We’ve been married three years when Sylvia Plath appears in our bedroom.
There is a chair in the corner, an old French Louis XV-style copy in walnut and cream. The seat is soft, flecked with [ ]. My President Was Black.
A history of the first African American White House—and of what came next.
Mar 31, · Feminist Literary Theory- "Touching Bottom" by Kari Strutt Écriture féminine - Écriture féminine, literally women's writing, is a philosophy that promotes women's experiences and feelings to the point that it strengthens the work.
What Hurt Feelings: The Untold Story Of The Year Battle Over "Flashdance" The dancers and photographer who inspired one of the biggest pop culture touchstones of a generation have gone most of. New MMSA story: 'Part 2 - Noughts & Crosses; House Matron' by A A Pantsdown.